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Home  The News Current Release Movie Review:The Mummy: Tomb of the Dragon Emperor
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Movie Review:The Mummy: Tomb of the Dragon Emperor |
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Saturday, 23 August 2008 |
The Mummy: Tomb of the Dragon Emperor. Brendan Fraser, Jet Li, Maria Bello, John Hannah, Michelle Yeoh, Russell Wong, Liam Cunningham, Luke Ford, Isabella Leong. Universal. Supernatural Action Adventure. Screenplay by Alfred Gough & Miles Millar. Directed by Rob Cohen.
FILM SYNOPSIS: The blockbuster global Mummy franchise takes a turn as the action shifts to Asia for the next chapter in the adventure series. Brendan Fraser returns as explorer Rick O’Connell to combat the resurrected Han Emperor (Jet Li) in an epic that races from the catacombs of ancient China high into the frigid Himalayas. Rick is joined in this all-new adventure by son Alex (newcomer Luke Ford), wife Evelyn (Maria Bello) and her brother, Jonathan (John Hannah). And this time, the O’Connells must stop an evil emperor awakened from a 2,000-year-old curse who threatens to plunge the world into his merciless, unending service.
Doomed by a double-crossed sorceress (Michelle Yeoh) who avenges herself by causing the warlord to spend eternity in suspended animation, China’s ruthless Dragon Emperor and his 10,000 warriors have lain forgotten for eons, entombed in clay as a vast, silent terra cotta army. But when Alex O’Connell is made to awaken the ruler from eternal slumber, well, let’s just say that the fighting begins, with the O’Connells having to once again save mankind.
 REVIEW: Brendan Fraser stars for the third time (or is it the fourth, I’ve lost count) as an adventurer up against undead super villains/creatures/armies. More like a Saturday morning action serial (with tomb-to tomb-action sequences) than reminiscent of the eerie Karloff 1932 chiller, director Rob Cohen injects enough humor (though some is lame while other gags just don’t get any audience reaction at all) and lots and lots of Indiana Jones-like derring-do to offset the CGI ghoulishness. Like all action/adventure sequels, the budget reflects the studio’s continued faith in the money-making value of the franchise. In other words, it’s bigger and louder and even more nonsensical.
Can somebody tell me why these beings are referred to as mummies? Mummy: a body embalmed for burial in the manner of the ancient Egyptians. Nothing whatsoever resembles that process in this film. Which is a shame, as the mummy process can be unsettling. The most terrifying moment in the 1932 Boris Karloff The Mummy original came when we saw a man being mummified – while he struggled for freedom, then buried alive! It remains a scary visual because that can be done to a human being. That’s what makes it more scary than a CGI flying dragon. As for eeriness, the original film had that pyramid cornered, as well. There’s a moment in that movie when an archeologist examines a scroll unaware that just behind him the unearthed ancient mummy slowly opens his eyes. Then he moves. And since you don’t see a 2,000-year-old mummy suddenly come to life all that often, it has a deleterious effect upon the archeologist. He goes, well, a little funny in the head.
With the incredible makeup done by the genius Jack Pierce, who also created the Frankenstein monster, the Wolfman and other Universal classic ghouls, and the macabre presence of Boris Karloff, that fright flick was both unnerving and spine tingling. All that spookiness that makes the hairs rise on the back of your neck is nowhere to be found in this reinvention of the genre. Audiences have come to expect computer-generated beasts and nonstop movement. And that’s exactly what they get with this one. What’s more, the screening audience applauded when the ending credits came. They didn’t mind the Simple Simon dialogue or the silly premise (why do the bad guys want to bring this nutcase back to life?), or the lackluster performances.
If you are interested in why Karloff’s The Mummy is far superior despite the slow pacing and the fact that 75 years ago films were made in black & white, there are two commentary tracks on the recently remastered special edition, plus several extra features that point out why this film remains a legendary signpost of the horror genre.
PG-13 (a couple of crude sexual innuendoes; three obscenities; the expression “Oh my God” is heard a couple times; oh, a lot of violence, with gun fire, sword fights, martial arts battles, explosions, bazooka attacks and folks being tossed about by abominable snow men, the film is endless conflict; a couple of sexual innuendoes between man and wife; hostilities between father and son soon evaporate as they fight together against demonic dead things). Running Time: 111 min. Intended Audience: Teens and above
For other free reviews from Phil Boatwright’s perspective, go to: previewonline.org.
(Disclaimer: These are the views of the author and not necessarily the staff of JesusJournal. Given the synopsis and content, concerned parents and moviegoers can decide if the new releases are suitable for viewing.)
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